1 00:00:01,200 --> 00:00:05,920 If you enjoy our videos, subscribe, 2 00:00:03,360 --> 00:00:09,120 like, and comment to support us. 3 00:00:05,920 --> 00:00:09,120 Thanks for tuning in. 4 00:00:17,030 --> 00:00:19,050 >> [music] 5 00:00:24,890 --> 00:00:26,910 [music] 6 00:00:36,025 --> 00:00:38,045 [music] 7 00:00:43,885 --> 00:00:45,905 [music] 8 00:00:50,435 --> 00:00:52,455 [music] 9 00:00:56,330 --> 00:00:58,350 [music] 10 00:01:02,880 --> 00:01:04,900 [music] 11 00:01:11,395 --> 00:01:13,415 [music] 12 00:01:15,980 --> 00:01:18,000 [music] 13 00:01:21,875 --> 00:01:25,480 [music] 14 00:01:22,640 --> 00:01:25,480 >> Been in the club. 15 00:01:26,360 --> 00:01:29,080 Great. 16 00:01:27,400 --> 00:01:31,120 It's fantastic. 17 00:01:29,080 --> 00:01:33,880 Incredible. 18 00:01:31,120 --> 00:01:35,440 What's up, my dear fellow? 19 00:01:33,880 --> 00:01:36,440 Absolutely fantastic. 20 00:01:35,440 --> 00:01:37,400 >> Well, what's happened? You look as if 21 00:01:36,440 --> 00:01:39,400 you've seen a ghost. 22 00:01:37,400 --> 00:01:39,800 >> A ghost? Brandy, that's what I need. 23 00:01:39,400 --> 00:01:42,160 Brandy. 24 00:01:39,800 --> 00:01:42,160 >> Brandy? 25 00:01:42,720 --> 00:01:45,240 >> Yeah. 26 00:01:43,560 --> 00:01:46,600 Oh, yeah. 27 00:01:45,240 --> 00:01:47,840 >> Who struck you? 28 00:01:46,600 --> 00:01:49,920 >> Well, 29 00:01:47,840 --> 00:01:51,560 you said it yourself. It was a ghost and 30 00:01:49,920 --> 00:01:52,400 without any previous warning, it totally 31 00:01:51,560 --> 00:01:53,880 hit me in the eye. 32 00:01:52,400 --> 00:01:55,040 >> Yeah, wait a minute, yes, uh 33 00:01:53,880 --> 00:01:57,080 I think you better have another. 34 00:01:55,040 --> 00:01:57,720 >> Well, uh 35 00:01:57,080 --> 00:01:58,560 Mhm. 36 00:01:57,720 --> 00:01:59,680 Yeah. 37 00:01:58,560 --> 00:02:00,840 Uh 38 00:01:59,680 --> 00:02:02,840 Thank you. 39 00:02:00,840 --> 00:02:04,920 And now I'll begin again. 40 00:02:02,840 --> 00:02:07,479 Who struck you? 41 00:02:04,920 --> 00:02:08,360 Upon my word, Holmes, it was a ghost. 42 00:02:07,479 --> 00:02:08,759 >> A ghost? 43 00:02:08,360 --> 00:02:10,160 >> Huh? 44 00:02:08,759 --> 00:02:11,600 >> And did you have a headache, Watson? 45 00:02:10,160 --> 00:02:12,640 >> Well, it may seem humorous to you, but I 46 00:02:11,600 --> 00:02:13,040 mean look, let me tell you from the 47 00:02:12,640 --> 00:02:14,640 beginning. 48 00:02:13,040 --> 00:02:15,440 >> Yes, please do, but but start right at 49 00:02:14,640 --> 00:02:17,000 the beginning. 50 00:02:15,440 --> 00:02:19,959 >> Right at Well, I was on my way back from 51 00:02:17,000 --> 00:02:21,160 the club, you see. It was about um 8:00. 52 00:02:19,959 --> 00:02:21,920 And I got into Spender Street, and it 53 00:02:21,160 --> 00:02:23,000 was just opposite that little 54 00:02:21,920 --> 00:02:24,280 tobacconist, you know, Mayne's Yeah. 55 00:02:23,000 --> 00:02:25,800 >> Yes, yes, I know, yes. There you go, 56 00:02:24,280 --> 00:02:27,160 Watson. What did you do then? 57 00:02:25,800 --> 00:02:28,560 >> Well, I saw a man in front of me 58 00:02:27,160 --> 00:02:30,480 suddenly clutch his chest. 59 00:02:28,560 --> 00:02:31,320 >> He was walking towards you? 60 00:02:30,480 --> 00:02:32,400 >> How do you know? 61 00:02:31,320 --> 00:02:34,240 >> Well, I mean, you said he staggered and 62 00:02:32,400 --> 00:02:35,480 clutched his chest. He must have been uh 63 00:02:34,240 --> 00:02:37,160 >> Yeah, yeah. That's right. You go on 64 00:02:35,480 --> 00:02:38,920 anyway. Yeah, well, anyway, I rushed up 65 00:02:37,160 --> 00:02:40,120 to him to help him, you see, and he he 66 00:02:38,920 --> 00:02:42,080 still able to mumble something about the 67 00:02:40,120 --> 00:02:43,480 old way he had a heart, and he lived in 68 00:02:42,080 --> 00:02:43,680 19 Hooper Street, 69 00:02:43,480 --> 00:02:45,200 >> Mhm. 70 00:02:43,680 --> 00:02:45,280 >> and uh would I help him get there, you 71 00:02:45,200 --> 00:02:47,160 know. 72 00:02:45,280 --> 00:02:48,240 >> There were no other pedestrians? 73 00:02:47,160 --> 00:02:48,720 >> No, no, the street was completely 74 00:02:48,240 --> 00:02:50,000 deserted. 75 00:02:48,720 --> 00:02:51,840 >> Good. Go on. 76 00:02:50,000 --> 00:02:53,240 >> Well, then his landlady let us in, and 77 00:02:51,840 --> 00:02:54,800 he was unconscious by that time. So, I 78 00:02:53,240 --> 00:02:56,959 carried him up to his room, and I laid 79 00:02:54,800 --> 00:02:57,800 him on his bed, and Holmes, he was dead. 80 00:02:56,959 --> 00:02:59,400 Now, look here, Holmes, he was 81 00:02:57,800 --> 00:02:59,959 absolutely, completely, and utterly 82 00:02:59,400 --> 00:03:01,239 dead. 83 00:02:59,959 --> 00:03:01,600 >> I couldn't make a mistake about the man, 84 00:03:01,239 --> 00:03:02,760 could I? No. 85 00:03:01,600 --> 00:03:04,120 >> No, no, no, of course you couldn't, old 86 00:03:02,760 --> 00:03:05,239 man, I know. Go on, then. And what 87 00:03:04,120 --> 00:03:07,239 happened next? 88 00:03:05,239 --> 00:03:08,920 >> Well, then I told the landlady the 89 00:03:07,239 --> 00:03:10,239 landlady rather said to me that that she 90 00:03:08,920 --> 00:03:11,880 she called the authorities, you see, and 91 00:03:10,239 --> 00:03:14,320 I left my name with her just in case, 92 00:03:11,880 --> 00:03:15,440 you know, they'd want me. And 93 00:03:14,320 --> 00:03:16,720 then well well, I thought it'd be rather 94 00:03:15,440 --> 00:03:17,959 more delicate if I left, you see. I 95 00:03:16,720 --> 00:03:19,120 mean, he must have relations. 96 00:03:17,959 --> 00:03:20,040 >> Yes, yes, yes, it's quite right, quite 97 00:03:19,120 --> 00:03:21,200 right, Watson. A most delicate 98 00:03:20,040 --> 00:03:23,160 situation. 99 00:03:21,200 --> 00:03:24,040 What was the man's name? 100 00:03:23,160 --> 00:03:24,560 >> Uh 101 00:03:24,040 --> 00:03:25,040 Higgins. 102 00:03:24,560 --> 00:03:25,480 >> Albert 103 00:03:25,040 --> 00:03:27,640 >> Higgins. 104 00:03:25,480 --> 00:03:28,880 >> Uh-huh, I see. And what did you do after 105 00:03:27,640 --> 00:03:30,360 you left the house? 106 00:03:28,880 --> 00:03:31,440 >> Well, you see, it it it'd been a bit of 107 00:03:30,360 --> 00:03:33,400 an effort, you know, carrying him up 108 00:03:31,440 --> 00:03:35,239 like that, so I got down the stairs and 109 00:03:33,400 --> 00:03:35,480 popped across the road into a pub, 110 00:03:35,239 --> 00:03:37,080 >> Yeah. 111 00:03:35,480 --> 00:03:39,360 >> and and had a pint. 112 00:03:37,080 --> 00:03:41,000 Yeah. And and then I started off back to 113 00:03:39,360 --> 00:03:42,200 the flat, you see. Well, I just turned 114 00:03:41,000 --> 00:03:43,200 the corner into Spender Street, and 115 00:03:42,200 --> 00:03:43,560 there was 116 00:03:43,200 --> 00:03:44,600 the same man. 117 00:03:43,560 --> 00:03:46,120 >> Higgins, have you seen him? 118 00:03:44,600 --> 00:03:47,760 >> Yeah, yeah, just face to face with me. 119 00:03:46,120 --> 00:03:48,720 There he was, large as life. We stood 120 00:03:47,760 --> 00:03:50,959 looking at each other for a minute, then 121 00:03:48,720 --> 00:03:53,240 he lashed out and hit me in the eye. And 122 00:03:50,959 --> 00:03:54,520 then then then really Holmes, he 123 00:03:53,240 --> 00:03:55,240 vanished. 124 00:03:54,520 --> 00:03:56,440 >> Vanished? 125 00:03:55,240 --> 00:03:57,880 >> Yes, he into the blue. 126 00:03:56,440 --> 00:03:59,640 >> Well, he just ran away? 127 00:03:57,880 --> 00:04:00,920 >> Well, the street was rather ill-lit, you 128 00:03:59,640 --> 00:04:02,440 know, and it took me a minute or two to 129 00:04:00,920 --> 00:04:03,480 pull myself together. 130 00:04:02,440 --> 00:04:05,320 Uh and and then I don't know whether he 131 00:04:03,480 --> 00:04:07,000 ran away or not, but but he vanished. 132 00:04:05,320 --> 00:04:07,920 >> Well, that's most unusual. 133 00:04:07,000 --> 00:04:11,280 >> Most. 134 00:04:07,920 --> 00:04:13,280 >> Uh did you speak to this ghost? 135 00:04:11,280 --> 00:04:14,959 >> Well, I I may have said uh 136 00:04:13,280 --> 00:04:16,560 good gracious, Higgins, or by Jove, 137 00:04:14,959 --> 00:04:16,959 Higgins, or even good good heavens, 138 00:04:16,560 --> 00:04:18,200 Higgins. 139 00:04:16,959 --> 00:04:21,079 >> Oh, dear, that's perfectly natural, 140 00:04:18,200 --> 00:04:24,720 Watson. Describe Higgins to me. 141 00:04:21,079 --> 00:04:25,400 >> Well, he's 50-ish, sandy-haired, medium 142 00:04:24,720 --> 00:04:27,080 build. 143 00:04:25,400 --> 00:04:28,200 >> You said all you observed. Any no 144 00:04:27,080 --> 00:04:29,480 characteristics? 145 00:04:28,200 --> 00:04:30,880 >> Well, not really, Holmes. When I had the 146 00:04:29,480 --> 00:04:33,280 chance of examining on the bed, the most 147 00:04:30,880 --> 00:04:35,560 obvious characteristic was he was dead. 148 00:04:33,280 --> 00:04:36,200 >> Uh that's a very How was he dressed? 149 00:04:35,560 --> 00:04:37,680 >> Uh 150 00:04:36,200 --> 00:04:39,240 green tweed suit. 151 00:04:37,680 --> 00:04:40,000 >> What? Just just wearing a green tweed 152 00:04:39,240 --> 00:04:40,880 suit? He must have been wearing 153 00:04:40,000 --> 00:04:41,760 something more than that in this 154 00:04:40,880 --> 00:04:43,640 weather. 155 00:04:41,760 --> 00:04:45,320 >> Oh, oh, no, no, no. He had a a big 156 00:04:43,640 --> 00:04:45,800 floppy hat and a long overcoat. 157 00:04:45,320 --> 00:04:47,840 >> Ah. 158 00:04:45,800 --> 00:04:49,120 >> Oh, oh, and something else. 159 00:04:47,840 --> 00:04:49,680 Yes, I did notice something else. He 160 00:04:49,120 --> 00:04:52,520 limped. 161 00:04:49,680 --> 00:04:54,080 >> Ah. And was he carrying a cane? 162 00:04:52,520 --> 00:04:55,440 >> Mm, no, no cane. 163 00:04:54,080 --> 00:04:57,000 >> Well, is there anything else, Watson? 164 00:04:55,440 --> 00:04:58,000 Think hard. 165 00:04:57,000 --> 00:04:59,520 >> Mm. 166 00:04:58,000 --> 00:05:00,440 Um 167 00:04:59,520 --> 00:05:02,400 uh 168 00:05:00,440 --> 00:05:03,520 Oh, yes, yes, I remember something now. 169 00:05:02,400 --> 00:05:05,800 >> What? 170 00:05:03,520 --> 00:05:07,880 >> Yes, the the second time I saw him, he 171 00:05:05,800 --> 00:05:10,080 was carrying a package. But the first 172 00:05:07,880 --> 00:05:13,640 time, he didn't have one. 173 00:05:10,080 --> 00:05:14,919 >> Uh now, this is curious. 174 00:05:13,640 --> 00:05:16,200 Very curious. 175 00:05:14,919 --> 00:05:17,440 >> Where are you going, Holmes? 176 00:05:16,200 --> 00:05:18,640 >> Not me, we. 177 00:05:17,440 --> 00:05:19,960 >> I'm in no condition to leave the house. 178 00:05:18,640 --> 00:05:21,640 Well, then a morsel of raw beef will 179 00:05:19,960 --> 00:05:22,480 measurably improve your appearance. 180 00:05:21,640 --> 00:05:24,000 >> And then what? 181 00:05:22,480 --> 00:05:25,600 >> Then we shall endeavor our best to track 182 00:05:24,000 --> 00:05:28,000 down the belligerent ghost of Albert 183 00:05:25,600 --> 00:05:28,560 Higgins. Fascinating idea, don't you 184 00:05:28,000 --> 00:05:29,760 think? 185 00:05:28,560 --> 00:05:31,360 >> Well, the whole thing's been most 186 00:05:29,760 --> 00:05:32,480 unnerving. You know, I mean, off to the 187 00:05:31,360 --> 00:05:34,708 window out in the street. Yes. 188 00:05:32,480 --> 00:05:36,728 >> Oh, really, no, Watson. 189 00:05:34,708 --> 00:05:36,728 >> [music] 190 00:05:45,188 --> 00:05:47,208 [music] 191 00:05:48,400 --> 00:05:52,760 >> He He also a rather flamboyant character 192 00:05:50,280 --> 00:05:53,720 by the wide rakish brim. 193 00:05:52,760 --> 00:05:55,840 >> Mhm. 194 00:05:53,720 --> 00:05:57,880 >> I see he was an artist, too. But he 195 00:05:55,840 --> 00:05:59,840 hasn't painted very much recently. 196 00:05:57,880 --> 00:06:02,320 Notice the specs of paint underneath the 197 00:05:59,840 --> 00:06:03,840 brim here. They're not house paint, but 198 00:06:02,320 --> 00:06:06,520 canvas oils. 199 00:06:03,840 --> 00:06:08,280 >> Yeah, what's this? Now, where are you, 200 00:06:06,520 --> 00:06:09,280 Jensen? What are you doing in poor 201 00:06:08,280 --> 00:06:10,320 Albert's room? 202 00:06:09,280 --> 00:06:12,400 >> Oh, good evening, Mrs. Blake. You 203 00:06:10,320 --> 00:06:13,920 remember me, Dr. Watson. 204 00:06:12,400 --> 00:06:14,960 >> Oh, you're the bloke who brought poor 205 00:06:13,920 --> 00:06:15,200 Albert in. 206 00:06:14,960 --> 00:06:16,800 >> Yes. 207 00:06:15,200 --> 00:06:19,320 >> Who is your gentleman friend? 208 00:06:16,800 --> 00:06:22,200 >> Ah, this is Mr. Sherlock Holmes. 209 00:06:19,320 --> 00:06:23,640 This is Maggie Blake, the landlady. 210 00:06:22,200 --> 00:06:25,520 >> Pleased to meet you, I'm sure, Mr. 211 00:06:23,640 --> 00:06:28,160 Holmes. 212 00:06:25,520 --> 00:06:31,080 Oh. Poor old Albert. 213 00:06:28,160 --> 00:06:33,120 He was proper fond of life, Albert was. 214 00:06:31,080 --> 00:06:34,919 He wouldn't have popped off if he had 215 00:06:33,120 --> 00:06:37,000 had his way. 216 00:06:34,919 --> 00:06:38,560 >> Oh, few of us would, madam. 217 00:06:37,000 --> 00:06:39,880 >> I was around at the local having me good 218 00:06:38,560 --> 00:06:42,840 night's pint 219 00:06:39,880 --> 00:06:45,200 and grieving for poor old Albert. He 220 00:06:42,840 --> 00:06:48,160 would have wanted a proper send-off with 221 00:06:45,200 --> 00:06:50,280 a pint of mild and bitter, Albert would. 222 00:06:48,160 --> 00:06:52,360 >> No doubt he would, madam. 223 00:06:50,280 --> 00:06:53,240 The body, I see, has been removed by the 224 00:06:52,360 --> 00:06:54,840 authorities. 225 00:06:53,240 --> 00:06:58,080 >> Oh, 226 00:06:54,840 --> 00:06:59,080 poor old Albert on a slab. 227 00:06:58,080 --> 00:07:00,480 Oh. 228 00:06:59,080 --> 00:07:02,400 >> Now, there, there. 229 00:07:00,480 --> 00:07:04,160 Have you Have you notified his next of 230 00:07:02,400 --> 00:07:08,120 kin, Mrs. Blake? 231 00:07:04,160 --> 00:07:09,600 >> No. He had none. He was all alone. 232 00:07:08,120 --> 00:07:12,120 >> Oh, I see. 233 00:07:09,600 --> 00:07:14,040 Where was Mr. Higgins employed, madam? 234 00:07:12,120 --> 00:07:16,600 >> At the Pembroke Museum, right around the 235 00:07:14,040 --> 00:07:20,160 corner in Spender Street. It's a picture 236 00:07:16,600 --> 00:07:22,600 museum. Albert was a day watchman. 237 00:07:20,160 --> 00:07:23,680 >> A day watchman, you say? Well, what were 238 00:07:22,600 --> 00:07:25,280 his working hours? 239 00:07:23,680 --> 00:07:27,600 >> 9:00 in the morning till 9:00 in the 240 00:07:25,280 --> 00:07:30,600 evening. Punctual as a clock, Albert 241 00:07:27,600 --> 00:07:32,040 was. Never late a minute. 242 00:07:30,600 --> 00:07:33,800 Poor Albert. 243 00:07:32,040 --> 00:07:35,880 >> He always came back from the museum, 244 00:07:33,800 --> 00:07:37,040 then, at a few minutes after 9:00 every 245 00:07:35,880 --> 00:07:40,440 evening. 246 00:07:37,040 --> 00:07:42,600 >> I, to make his supper. He was a proper 247 00:07:40,440 --> 00:07:44,120 good cook, Albert was. 248 00:07:42,600 --> 00:07:45,840 >> Excuse my saying so, madam, but aren't 249 00:07:44,120 --> 00:07:48,000 you mistaken? Surely it's a little after 250 00:07:45,840 --> 00:07:49,360 8:00 when Mr. Higgins finished work? 251 00:07:48,000 --> 00:07:50,400 Because it was only a little after 8:00 252 00:07:49,360 --> 00:07:51,440 when I picked him up this evening and 253 00:07:50,400 --> 00:07:54,120 brought him here. 254 00:07:51,440 --> 00:07:55,960 >> Oh, no, doctor. It was just after 9:00. 255 00:07:54,120 --> 00:07:57,960 I marked the time because I was waiting 256 00:07:55,960 --> 00:08:00,160 for Albert to come back. 257 00:07:57,960 --> 00:08:03,440 He'd asked me to get him a cut of beef. 258 00:08:00,160 --> 00:08:05,480 He always came back just after 9:00. 259 00:08:03,440 --> 00:08:07,880 He'll never eat that beef now. Poor 260 00:08:05,480 --> 00:08:09,840 Albert won't. 261 00:08:07,880 --> 00:08:10,960 Elbowed you in the eye? 262 00:08:09,840 --> 00:08:12,040 >> Mhm. 263 00:08:10,960 --> 00:08:14,120 Oh, 264 00:08:12,040 --> 00:08:14,919 no, no, I I I just I just bumped into a 265 00:08:14,120 --> 00:08:17,320 door. 266 00:08:14,919 --> 00:08:19,560 >> Oh, you shouldn't get familiar with a 267 00:08:17,320 --> 00:08:21,120 door, if you know what I mean. 268 00:08:19,560 --> 00:08:22,800 >> Well, really, madam. 269 00:08:21,120 --> 00:08:24,520 >> Yes, I I think we've found all we can 270 00:08:22,800 --> 00:08:26,080 for the time being, Watson. Thank you, 271 00:08:24,520 --> 00:08:27,880 madam. We shan't intrude on your grief 272 00:08:26,080 --> 00:08:28,840 any further. 273 00:08:27,880 --> 00:08:31,120 >> Mhm. 274 00:08:28,840 --> 00:08:33,000 >> Poor old Albert. 275 00:08:31,120 --> 00:08:35,120 >> It really is most embarrassing about 276 00:08:33,000 --> 00:08:37,320 this eye, Holmes. Did you hear her 277 00:08:35,120 --> 00:08:39,719 infer? It's a terrible situation, and 278 00:08:37,320 --> 00:08:42,280 she's wrong about the time. It was only 279 00:08:39,719 --> 00:08:43,840 a little after 8:00. And it's only a few 280 00:08:42,280 --> 00:08:44,680 minutes walk to Spender Street. 281 00:08:43,840 --> 00:08:47,320 >> Yes. 282 00:08:44,680 --> 00:08:49,480 >> Time is a curious dimension, Watson. 283 00:08:47,320 --> 00:08:52,160 Habit and a preconceived notion can so 284 00:08:49,480 --> 00:08:53,960 easily reverse the hands of a clock. 285 00:08:52,160 --> 00:08:54,880 And yet the clock is still in perfect 286 00:08:53,960 --> 00:08:56,360 working order. 287 00:08:54,880 --> 00:08:59,240 >> Well, where are we going? 288 00:08:56,360 --> 00:09:02,360 >> To view the mortal remains of poor old 289 00:08:59,240 --> 00:09:02,360 Albert Eagins. 290 00:09:08,040 --> 00:09:11,680 >> Well, there he is, Mr. Holmes. Nice and 291 00:09:10,360 --> 00:09:12,680 peaceful, I gather. 292 00:09:11,680 --> 00:09:13,839 >> Good chap. 293 00:09:12,680 --> 00:09:14,920 >> Mhm. 294 00:09:13,839 --> 00:09:17,400 See anything, Holmes? 295 00:09:14,920 --> 00:09:18,880 >> Nothing that I haven't already deduced. 296 00:09:17,400 --> 00:09:21,680 Except that I drew an erroneous 297 00:09:18,880 --> 00:09:24,880 conclusion from his hat. He has painted 298 00:09:21,680 --> 00:09:26,240 recently, but indoors with his hat off. 299 00:09:24,880 --> 00:09:27,839 But there are still traces [music] of 300 00:09:26,240 --> 00:09:29,240 paint, quite fresh, under his 301 00:09:27,839 --> 00:09:30,560 fingernails. 302 00:09:29,240 --> 00:09:32,560 >> What does that mean? 303 00:09:30,560 --> 00:09:34,440 >> I haven't the faintest idea. 304 00:09:32,560 --> 00:09:37,080 >> Mhm. Well, you gents aren't the only 305 00:09:34,440 --> 00:09:38,880 ones interested in this dearly departed. 306 00:09:37,080 --> 00:09:40,000 Inspector Lestrade of Scotland Yard 307 00:09:38,880 --> 00:09:40,880 looked him over, too. 308 00:09:40,000 --> 00:09:41,960 >> Oh, indeed. 309 00:09:40,880 --> 00:09:42,840 >> Oh, he's still here if you'd like to 310 00:09:41,960 --> 00:09:44,360 talk to him. 311 00:09:42,840 --> 00:09:47,200 >> Well, that should be very informative 312 00:09:44,360 --> 00:09:50,120 for one or the other or both of us. 313 00:09:47,200 --> 00:09:52,120 >> I can't understand it, Holmes. 314 00:09:50,120 --> 00:09:53,760 I'm absolutely sure this is the man who 315 00:09:52,120 --> 00:09:54,960 punched me. I'm positive. 316 00:09:53,760 --> 00:09:55,520 >> But also the one who had the heart 317 00:09:54,960 --> 00:09:57,366 attack? 318 00:09:55,520 --> 00:09:58,080 >> Yes, I'm sure they're one and the same. 319 00:09:57,366 --> 00:10:00,240 >> [laughter] 320 00:09:58,080 --> 00:10:02,360 >> Well, he's punched his last punch. Where 321 00:10:00,240 --> 00:10:05,226 he probably is they're punching him full 322 00:10:02,360 --> 00:10:05,760 of HOLES WITH PITCHFORKS. 323 00:10:05,226 --> 00:10:07,520 >> [laughter] 324 00:10:05,760 --> 00:10:08,640 >> YES, WELL, I THINK WE'VE SEEN AND heard 325 00:10:07,520 --> 00:10:12,200 enough. Would you like to take us to 326 00:10:08,640 --> 00:10:12,200 Inspector Lestrade, now, please? 327 00:10:15,800 --> 00:10:20,120 Ah, hello, Inspector. 328 00:10:18,120 --> 00:10:22,280 >> Oh, sir, Holmes, I'm surprised to see 329 00:10:20,120 --> 00:10:23,960 you here. Now, this is one case you 330 00:10:22,280 --> 00:10:25,560 can't make anything clear out of. 331 00:10:23,960 --> 00:10:27,280 >> Well, then why, my dear Inspector 332 00:10:25,560 --> 00:10:29,040 Lestrade, are you here? 333 00:10:27,280 --> 00:10:31,160 >> Well, when they brought him in, somebody 334 00:10:29,040 --> 00:10:32,760 recognized him as Paul No. Albert 335 00:10:31,160 --> 00:10:35,120 Higgins. I come along to check the 336 00:10:32,760 --> 00:10:36,520 identification. We like to give a try to 337 00:10:35,120 --> 00:10:38,080 that old pal of yours, now. 338 00:10:36,520 --> 00:10:40,080 >> What was he in prison for? 339 00:10:38,080 --> 00:10:42,000 >> Counterfeiting. He made the best pound 340 00:10:40,080 --> 00:10:44,760 notes you ever saw. 341 00:10:42,000 --> 00:10:46,520 Yes, he was a real artist. 342 00:10:44,760 --> 00:10:47,800 >> Lestrade, there's no doubt as to the 343 00:10:46,520 --> 00:10:50,480 cause of death, is there? 344 00:10:47,800 --> 00:10:52,240 >> Oh, sorry, Holmes. Heart failure, no 345 00:10:50,480 --> 00:10:53,520 foul play. 346 00:10:52,240 --> 00:10:54,640 I understand you were with him in his 347 00:10:53,520 --> 00:10:55,880 last moments. 348 00:10:54,640 --> 00:10:57,240 >> Yes, I was with him on the street when 349 00:10:55,880 --> 00:10:58,120 he had the attack and I took him home. 350 00:10:57,240 --> 00:10:58,960 >> There was nothing you could do, I 351 00:10:58,120 --> 00:11:00,160 suppose. 352 00:10:58,960 --> 00:11:01,400 >> Nothing. 353 00:11:00,160 --> 00:11:02,280 He was dead before I had a chance to do 354 00:11:01,400 --> 00:11:04,240 anything. 355 00:11:02,280 --> 00:11:07,600 >> By the way, what time was he brought in? 356 00:11:04,240 --> 00:11:08,640 >> Oh, let me see, now. It would be about 357 00:11:07,600 --> 00:11:11,839 um 358 00:11:08,640 --> 00:11:13,800 Ah, yes, here we are. Quarter to 10. 359 00:11:11,839 --> 00:11:16,280 Higgins' landlady notified Constable 360 00:11:13,800 --> 00:11:17,800 Smithers at half past 9. 361 00:11:16,280 --> 00:11:18,680 Smithers had them remove the body in a 362 00:11:17,800 --> 00:11:21,000 matter of minutes. 363 00:11:18,680 --> 00:11:22,360 >> Inspector, you sure it was half past 9 364 00:11:21,000 --> 00:11:24,040 and not half past 8? 365 00:11:22,360 --> 00:11:26,120 >> No, half past 9. It's right here in 366 00:11:24,040 --> 00:11:27,240 Smithers' report. Why? 367 00:11:26,120 --> 00:11:28,200 >> Oh, I 368 00:11:27,240 --> 00:11:29,920 Well, I 369 00:11:28,200 --> 00:11:31,120 No, it's nothing. Nothing at all. You're 370 00:11:29,920 --> 00:11:32,880 quite sure, Lestrade, there's nothing 371 00:11:31,120 --> 00:11:34,320 more to this than a simple case of 372 00:11:32,880 --> 00:11:37,720 natural causes. 373 00:11:34,320 --> 00:11:41,120 >> Ah, no. There's no mystery at all. No 374 00:11:37,720 --> 00:11:42,800 mystery, Mr. Holmes. 375 00:11:41,120 --> 00:11:45,520 >> What happened to your eye, Dr. Watson? 376 00:11:42,800 --> 00:11:46,753 >> Hm? Oh, I I just bumped into a door. 377 00:11:45,520 --> 00:11:48,760 >> A door? 378 00:11:46,753 --> 00:11:50,720 >> [laughter] 379 00:11:48,760 --> 00:11:51,680 >> Oh, well, that's a new one anyway. Was 380 00:11:50,720 --> 00:11:52,648 it a pretty door? 381 00:11:51,680 --> 00:11:54,280 >> I really can't say. 382 00:11:52,648 --> 00:11:55,800 >> [laughter] 383 00:11:54,280 --> 00:11:58,543 >> That's all [music] right, Watson. I 384 00:11:55,800 --> 00:12:00,563 won't tell a soul. 385 00:11:58,543 --> 00:12:00,563 >> [laughter] 386 00:12:00,960 --> 00:12:04,640 >> Well, really, this is intolerable, 387 00:12:03,440 --> 00:12:06,080 Holmes. Nobody believes me. 388 00:12:04,640 --> 00:12:07,680 >> Well, did you tell them the truth? 389 00:12:06,080 --> 00:12:09,920 >> Well, that I was punched by a ghost. 390 00:12:07,680 --> 00:12:11,480 >> Yes, yes, I see what you mean. We may 391 00:12:09,920 --> 00:12:12,840 have to take on this case anyway, if 392 00:12:11,480 --> 00:12:14,880 only to protect your honor and 393 00:12:12,840 --> 00:12:16,600 reputation. 394 00:12:14,880 --> 00:12:19,503 >> Well, it's intolerable, Holmes. 395 00:12:16,600 --> 00:12:21,523 Absolutely intolerable. 396 00:12:19,503 --> 00:12:21,523 >> [music] 397 00:12:24,088 --> 00:12:26,108 [music] 398 00:12:28,673 --> 00:12:30,693 [music] 399 00:12:33,913 --> 00:12:35,933 [music] 400 00:12:39,153 --> 00:12:41,173 [music] 401 00:12:47,668 --> 00:12:52,120 [music] 402 00:12:48,800 --> 00:12:52,120 >> Ah, good evening, Watson. 403 00:12:53,680 --> 00:12:57,240 Anything wrong? 404 00:12:55,160 --> 00:12:59,600 >> No, nothing. Nothing. 405 00:12:57,240 --> 00:13:00,160 Of course not. Everything's all right. 406 00:12:59,600 --> 00:13:01,440 >> Uh, 407 00:13:00,160 --> 00:13:02,760 you're sure not brooding over last 408 00:13:01,440 --> 00:13:03,520 night's affair, are you? 409 00:13:02,760 --> 00:13:04,560 >> Of course I'm not. Don't be so 410 00:13:03,520 --> 00:13:07,200 ridiculous. 411 00:13:04,560 --> 00:13:09,200 >> Oh, come on, out with it, man. 412 00:13:07,200 --> 00:13:10,400 >> Well, I 413 00:13:09,200 --> 00:13:11,200 No, there's nothing to come out with. I 414 00:13:10,400 --> 00:13:12,200 don't I don't know what you're talking 415 00:13:11,200 --> 00:13:13,360 about. 416 00:13:12,200 --> 00:13:15,960 >> Oh, come on, Watson. There's something 417 00:13:13,360 --> 00:13:17,080 on your mind. 418 00:13:15,960 --> 00:13:18,560 >> Well, I 419 00:13:17,080 --> 00:13:19,880 Gosh, you'd never believe it. Nobody 420 00:13:18,560 --> 00:13:21,280 believe it. 421 00:13:19,880 --> 00:13:24,760 >> Well? 422 00:13:21,280 --> 00:13:27,120 >> Well, I met Albert Higgins in Spender 423 00:13:24,760 --> 00:13:30,880 Street again tonight. 424 00:13:27,120 --> 00:13:30,880 >> And he punched you again? 425 00:13:32,600 --> 00:13:37,880 >> He pulled my nose. 426 00:13:35,840 --> 00:13:41,320 >> Didn't he? 427 00:13:37,880 --> 00:13:41,320 This is very interesting, Watson. 428 00:13:48,040 --> 00:13:53,000 My dear Watson, calm yourself. 429 00:13:50,760 --> 00:13:55,040 >> Look here, Holmes. This whole Higgins 430 00:13:53,000 --> 00:13:56,560 affair has gone too far. First of all, 431 00:13:55,040 --> 00:13:58,520 last night, now tonight. 432 00:13:56,560 --> 00:13:59,760 >> Calm yourself, Watson, and relate. 433 00:13:58,520 --> 00:14:00,920 Everything hangs on this second 434 00:13:59,760 --> 00:14:02,320 encounter. 435 00:14:00,920 --> 00:14:03,600 >> When did it occur? Just as I had last 436 00:14:02,320 --> 00:14:06,160 night, I was on my way back from the 437 00:14:03,600 --> 00:14:07,360 club and I'd reached Spender Street. 438 00:14:06,160 --> 00:14:09,480 It was a few minutes ago, as a matter of 439 00:14:07,360 --> 00:14:10,800 fact, just after 9:00. 440 00:14:09,480 --> 00:14:12,400 I'd stayed rather late in the club than 441 00:14:10,800 --> 00:14:13,520 usual. It was a chap from Afghanistan. 442 00:14:12,400 --> 00:14:15,040 He was awfully interesting. 443 00:14:13,520 --> 00:14:16,040 >> Yes, yes, Watson. Get on with your 444 00:14:15,040 --> 00:14:17,080 story. 445 00:14:16,040 --> 00:14:18,960 >> Well, 446 00:14:17,080 --> 00:14:20,680 I was rather preoccupied, as you know, 447 00:14:18,960 --> 00:14:22,520 this affair has cut me up rather and uh 448 00:14:20,680 --> 00:14:24,440 hold I may not shake. 449 00:14:22,520 --> 00:14:25,640 Yeah, anyway, I I was going to walking 450 00:14:24,440 --> 00:14:27,440 along. I suddenly looked up and there 451 00:14:25,640 --> 00:14:28,000 was a pedestrian, a man a few feet from 452 00:14:27,440 --> 00:14:29,520 me. 453 00:14:28,000 --> 00:14:30,800 >> Walking towards you? 454 00:14:29,520 --> 00:14:32,000 >> Why, yes. 455 00:14:30,800 --> 00:14:35,800 Of course, I didn't recognize him 456 00:14:32,000 --> 00:14:37,960 straight away for uh you know who. 457 00:14:35,800 --> 00:14:39,520 Anyway, I side-stepped in passing and he 458 00:14:37,960 --> 00:14:40,839 side-stepped to let me pass and then we 459 00:14:39,520 --> 00:14:42,360 sort of zigzagged about a bit, you know 460 00:14:40,839 --> 00:14:43,400 what it is in the street, and ended up 461 00:14:42,360 --> 00:14:44,680 by bumping into each other. 462 00:14:43,400 --> 00:14:45,160 >> And that's when you recognized Albert 463 00:14:44,680 --> 00:14:47,120 Higgins? 464 00:14:45,160 --> 00:14:49,200 >> BUT IT WAS HIGGINS. I COULDN'T BE 465 00:14:47,120 --> 00:14:50,680 MISTAKEN. Good heavens, man, I KNOW HIM 466 00:14:49,200 --> 00:14:52,400 LIKE MY OWN BROTHER. 467 00:14:50,680 --> 00:14:53,360 >> Uh dressed as he was last night? 468 00:14:52,400 --> 00:14:54,600 >> Exactly. 469 00:14:53,360 --> 00:14:56,320 >> And what did he do then? 470 00:14:54,600 --> 00:14:57,520 >> Well, he I told you then he put out his 471 00:14:56,320 --> 00:14:59,360 hand and he 472 00:14:57,520 --> 00:15:00,920 Well, yes, we're going to that. And then 473 00:14:59,360 --> 00:15:02,280 he was gone, vanished. 474 00:15:00,920 --> 00:15:03,480 >> Capital, Watson, capital. Everything 475 00:15:02,280 --> 00:15:04,880 begins to fall into place. Now, there's 476 00:15:03,480 --> 00:15:05,680 one more question. Was he carrying a 477 00:15:04,880 --> 00:15:06,760 package? 478 00:15:05,680 --> 00:15:10,280 >> Well, um 479 00:15:06,760 --> 00:15:12,720 yeah, yes, he was, just like last time. 480 00:15:10,280 --> 00:15:14,640 I say, Holmes, do you 481 00:15:12,720 --> 00:15:16,040 do you believe uh 482 00:15:14,640 --> 00:15:17,760 >> What? 483 00:15:16,040 --> 00:15:18,320 >> The supernatural? 484 00:15:17,760 --> 00:15:20,000 >> Uh 485 00:15:18,320 --> 00:15:20,920 ghosts, do you mean? 486 00:15:20,000 --> 00:15:23,120 >> Yeah, 487 00:15:20,920 --> 00:15:24,960 I sound silly, I know, but uh 488 00:15:23,120 --> 00:15:27,640 Higgins did die of a heart attack. 489 00:15:24,960 --> 00:15:29,920 There's no foul play. 490 00:15:27,640 --> 00:15:31,920 >> No foul play? Why, the whole affair 491 00:15:29,920 --> 00:15:33,200 reeks of foul play. 492 00:15:31,920 --> 00:15:35,040 I can tell you Watson, I haven't been 493 00:15:33,200 --> 00:15:36,680 idle today. Do you know that the 494 00:15:35,040 --> 00:15:38,200 Pembroke Museum is showing a collection 495 00:15:36,680 --> 00:15:40,080 of paintings on loan from the Italian 496 00:15:38,200 --> 00:15:42,040 government, and that included amongst 497 00:15:40,080 --> 00:15:43,200 those paintings is Leonardo da Vinci's 498 00:15:42,040 --> 00:15:44,360 Moonlight Madonna? 499 00:15:43,200 --> 00:15:45,360 >> Well, I did read something about it in 500 00:15:44,360 --> 00:15:46,040 the paper. What's that got to do with 501 00:15:45,360 --> 00:15:47,360 Albert Higgins? 502 00:15:46,040 --> 00:15:49,240 >> Well, we must now pay a visit to the 503 00:15:47,360 --> 00:15:50,000 good inspector, inform him that if the 504 00:15:49,240 --> 00:15:51,520 ghost of Albert 505 00:15:50,000 --> 00:15:52,480 >> Higgins hadn't struck you in the eye 506 00:15:51,520 --> 00:15:54,640 >> and pulled my nose 507 00:15:52,480 --> 00:15:56,120 >> and pulled your nose, I would never have 508 00:15:54,640 --> 00:15:57,800 suspected the Moonlight Madonna would be 509 00:15:56,120 --> 00:15:58,400 stolen from the museum. 510 00:15:57,800 --> 00:16:00,720 >> What? 511 00:15:58,400 --> 00:16:02,861 >> Well, it's quite obvious, isn't it? 512 00:16:00,720 --> 00:16:04,881 >> Well, of course. 513 00:16:02,861 --> 00:16:04,881 >> [music] 514 00:16:07,640 --> 00:16:11,600 >> I see. 515 00:16:08,920 --> 00:16:11,600 Uh thank you. 516 00:16:12,240 --> 00:16:16,440 Well, we'll soon know, Mr. Holmes. 517 00:16:14,960 --> 00:16:18,200 But if the picture's still hanging in 518 00:16:16,440 --> 00:16:20,440 its place, and we've dragged the curator 519 00:16:18,200 --> 00:16:22,120 out of bed to check on it, 520 00:16:20,440 --> 00:16:24,200 a false alarm like this don't exactly 521 00:16:22,120 --> 00:16:27,280 help the Yard's reputation, you know. 522 00:16:24,200 --> 00:16:29,480 >> And what about my reputation, Inspector? 523 00:16:27,280 --> 00:16:31,960 When I say a man died a little after 524 00:16:29,480 --> 00:16:34,560 8:00, he died a little after 8:00, and 525 00:16:31,960 --> 00:16:36,680 not a little after 9:00. And when I say 526 00:16:34,560 --> 00:16:38,880 these ghosts punched me in the eye half 527 00:16:36,680 --> 00:16:39,360 an hour later, HANG IT, HE PUNCHED ME IN 528 00:16:38,880 --> 00:16:41,480 THE EYE. 529 00:16:39,360 --> 00:16:44,400 >> OH, we all have our off days, Dr. 530 00:16:41,480 --> 00:16:44,839 Watson. To err is human, as the poets 531 00:16:44,400 --> 00:16:47,000 say. 532 00:16:44,839 --> 00:16:48,760 >> And furthermore, if I tell you that I 533 00:16:47,000 --> 00:16:49,960 bumped into this chap's ghost again 534 00:16:48,760 --> 00:16:51,800 tonight, you didn't 535 00:16:49,960 --> 00:16:52,640 >> tell me about any second meeting. 536 00:16:51,800 --> 00:16:53,839 >> Oh. 537 00:16:52,640 --> 00:16:55,120 Oh, didn't I? 538 00:16:53,839 --> 00:16:56,160 Well, 539 00:16:55,120 --> 00:16:58,320 nothing. Nothing. 540 00:16:56,160 --> 00:17:01,280 >> A hallucination, that's what you had, 541 00:16:58,320 --> 00:17:03,000 Dr. Watson. Yes, it's um 542 00:17:01,280 --> 00:17:04,199 psychological. 543 00:17:03,000 --> 00:17:06,160 That's the thing in crime today, 544 00:17:04,199 --> 00:17:09,000 psychology. 545 00:17:06,160 --> 00:17:11,319 I've been studying it, you know. 546 00:17:09,000 --> 00:17:13,680 >> You astonish me, Inspector. 547 00:17:11,319 --> 00:17:14,640 >> Oh, we're not as backwards as you think, 548 00:17:13,680 --> 00:17:16,400 um 549 00:17:14,640 --> 00:17:17,839 No, we like to keep abreast of the 550 00:17:16,400 --> 00:17:19,439 times. 551 00:17:17,839 --> 00:17:23,640 But I don't mind admitting I don't think 552 00:17:19,439 --> 00:17:23,640 this psychology's got much of a future. 553 00:17:23,880 --> 00:17:26,520 Oh, come in. 554 00:17:26,760 --> 00:17:30,560 Ah, Hopkins, you saw the curator? 555 00:17:28,880 --> 00:17:32,320 >> Oh, yes, sir. I called Mr. Bentham as 556 00:17:30,560 --> 00:17:33,840 you instructed, sir. He was quite 557 00:17:32,320 --> 00:17:35,120 excited when I told him this picture 558 00:17:33,840 --> 00:17:35,640 called The Moonlight Madonna had been 559 00:17:35,120 --> 00:17:36,200 stolen. 560 00:17:35,640 --> 00:17:37,480 >> And? 561 00:17:36,200 --> 00:17:38,680 >> And so we rushed around the corner to 562 00:17:37,480 --> 00:17:40,080 the museum. 563 00:17:38,680 --> 00:17:41,680 >> And? 564 00:17:40,080 --> 00:17:44,920 >> Well, sir, the picture was there, 565 00:17:41,680 --> 00:17:47,480 hanging in its proper place. 566 00:17:44,920 --> 00:17:47,480 >> Is that not so? 567 00:17:47,662 --> 00:17:49,682 >> [music] 568 00:17:51,040 --> 00:17:56,177 >> Well, there you are, Holmes. As I said 569 00:17:54,080 --> 00:17:56,200 to Dr. Watson, to 570 00:17:56,177 --> 00:17:57,920 >> [music] 571 00:17:56,200 --> 00:17:59,200 >> err is human. 572 00:17:57,920 --> 00:18:00,080 Can I give you gentlemen a lift 573 00:17:59,200 --> 00:18:00,640 anywhere? 574 00:18:00,080 --> 00:18:02,600 >> Hmm. 575 00:18:00,640 --> 00:18:04,240 >> Thank you, Inspector. Oh, I think it 576 00:18:02,600 --> 00:18:06,657 might be a good idea that we call at the 577 00:18:04,240 --> 00:18:06,920 Pembroke Museum on our way. 578 00:18:06,657 --> 00:18:09,360 >> [music] 579 00:18:06,920 --> 00:18:12,560 >> But you heard what Hawkins said. The 580 00:18:09,360 --> 00:18:15,760 picture was hanging in its proper place. 581 00:18:12,560 --> 00:18:17,600 >> My dear Lestrade, 582 00:18:15,760 --> 00:18:19,760 Hawkins' statement merely proves that 583 00:18:17,600 --> 00:18:22,280 what he and the curator saw was not the 584 00:18:19,760 --> 00:18:25,640 Moonlight Madonna at all, merely an 585 00:18:22,280 --> 00:18:25,640 excellent forgery. 586 00:18:25,652 --> 00:18:27,672 >> [music] 587 00:18:29,200 --> 00:18:35,360 >> What's he talking about? 588 00:18:31,360 --> 00:18:38,097 >> Art, ghosts, my black eye, 589 00:18:35,360 --> 00:18:40,117 and psychology. 590 00:18:38,097 --> 00:18:40,117 >> [music] 591 00:18:45,302 --> 00:18:47,322 [music] 592 00:18:51,160 --> 00:18:56,120 >> Remarkable, remarkable. 593 00:18:53,960 --> 00:18:57,600 Only a microscopic examination of the 594 00:18:56,120 --> 00:18:59,560 brush strokes shows that any different 595 00:18:57,600 --> 00:19:01,320 from Da Vinci's work. Of course, if you 596 00:18:59,560 --> 00:19:02,960 still have any doubts, 597 00:19:01,320 --> 00:19:04,560 the chemical analysis of the paint 598 00:19:02,960 --> 00:19:05,800 mixtures will prove them to be of modern 599 00:19:04,560 --> 00:19:07,280 manufacture. 600 00:19:05,800 --> 00:19:08,520 >> No, no, no, you've quite convinced me, 601 00:19:07,280 --> 00:19:10,160 Mr. Holmes. 602 00:19:08,520 --> 00:19:13,080 An analysis is necessary. 603 00:19:10,160 --> 00:19:15,280 >> Dear me, dear me, this is catastrophic. 604 00:19:13,080 --> 00:19:16,640 >> Hm, A rather a delicate situation, eh? 605 00:19:15,280 --> 00:19:18,080 >> Delicate? 606 00:19:16,640 --> 00:19:19,920 The Italian government will hold the 607 00:19:18,080 --> 00:19:21,680 British government responsible. 608 00:19:19,920 --> 00:19:22,760 But the painting is an Italian national 609 00:19:21,680 --> 00:19:24,360 treasure. 610 00:19:22,760 --> 00:19:26,560 The theft could easily affect a pending 611 00:19:24,360 --> 00:19:28,280 treaty between the two nations. 612 00:19:26,560 --> 00:19:30,120 Mr. Holmes, Mr. Holmes, you must find 613 00:19:28,280 --> 00:19:32,040 the original before the Italians learn 614 00:19:30,120 --> 00:19:33,720 the painting's been stolen. The British 615 00:19:32,040 --> 00:19:36,560 government will hold me responsible. 616 00:19:33,720 --> 00:19:39,080 >> And the Yard will hold me responsible. 617 00:19:36,560 --> 00:19:41,280 >> The most precious of the lot, too. 618 00:19:39,080 --> 00:19:42,880 >> Yes, naturally. 619 00:19:41,280 --> 00:19:45,400 Well, we know who stole the painting and 620 00:19:42,880 --> 00:19:47,160 substituted the forgery, Higgins. All 621 00:19:45,400 --> 00:19:48,200 we've got to do now is find out where he 622 00:19:47,160 --> 00:19:49,440 hid it. 623 00:19:48,200 --> 00:19:51,440 Hm. 624 00:19:49,440 --> 00:19:52,680 What time did you leave the museum, Mr. 625 00:19:51,440 --> 00:19:55,160 Benton? 626 00:19:52,680 --> 00:19:56,560 >> Uh, a few minutes before 9:00. Higgins 627 00:19:55,160 --> 00:19:59,360 was still on duty. 628 00:19:56,560 --> 00:20:01,720 >> You're uh quite sure it was Higgins? 629 00:19:59,360 --> 00:20:04,040 >> I'm certain, Mr. Holmes. I chatted with 630 00:20:01,720 --> 00:20:05,680 him for a few moments, and I couldn't 631 00:20:04,040 --> 00:20:07,240 have mistaken his voice. 632 00:20:05,680 --> 00:20:08,000 >> And the night watchman relieved him at 633 00:20:07,240 --> 00:20:10,000 9:00. 634 00:20:08,000 --> 00:20:11,320 >> But you heard him say that, Mr. Holmes. 635 00:20:10,000 --> 00:20:13,560 >> And that he had a package with him when 636 00:20:11,320 --> 00:20:15,560 he left. The night watchman swears 637 00:20:13,560 --> 00:20:16,640 uphill and down dale it was Higgins all 638 00:20:15,560 --> 00:20:18,160 right. 639 00:20:16,640 --> 00:20:20,120 Well, the matter seems to resolve itself 640 00:20:18,160 --> 00:20:22,240 very nicely, doesn't it? 641 00:20:20,120 --> 00:20:24,560 Dr. Watson was punched by Higgins a few 642 00:20:22,240 --> 00:20:27,160 minutes after 9:00. The night watchman 643 00:20:24,560 --> 00:20:29,800 saw him leave at 9:00, and you spoke to 644 00:20:27,160 --> 00:20:31,960 him a few minutes before 9:00. 645 00:20:29,800 --> 00:20:33,880 Look, Holmes. Why don't you and Dr. 646 00:20:31,960 --> 00:20:36,440 Watson go home and have a good night's 647 00:20:33,880 --> 00:20:39,680 rest? From now on, it's nothing but 648 00:20:36,440 --> 00:20:41,880 plain, ordinary, simple police work. 649 00:20:39,680 --> 00:20:42,760 Nothing you could use a magnifying glass 650 00:20:41,880 --> 00:20:44,720 on. 651 00:20:42,760 --> 00:20:46,440 >> Uh, true. 652 00:20:44,720 --> 00:20:48,960 True, Inspector. 653 00:20:46,440 --> 00:20:51,719 Well, good evening, gentlemen. 654 00:20:48,960 --> 00:20:53,739 >> Yes, well, good night, gentlemen. 655 00:20:51,719 --> 00:20:53,739 >> [music] 656 00:21:00,640 --> 00:21:04,640 >> Terrible, Inspector. 657 00:21:02,280 --> 00:21:07,520 Terrible, Inspector. Terrible. 658 00:21:04,640 --> 00:21:09,440 What do we do now? 659 00:21:07,520 --> 00:21:10,000 >> Interesting affair, ain't it, Watson? 660 00:21:09,440 --> 00:21:12,200 The guy left 661 00:21:10,000 --> 00:21:13,920 >> care what anybody says, it was after 662 00:21:12,200 --> 00:21:15,000 8:00 when Higgins punched me. 663 00:21:13,920 --> 00:21:16,320 >> Well, hasn't it occurred to you that if 664 00:21:15,000 --> 00:21:17,320 Higgins didn't punch you, who had the 665 00:21:16,320 --> 00:21:19,200 heart attack? 666 00:21:17,320 --> 00:21:20,800 >> Well, look here, Holmes, I 667 00:21:19,200 --> 00:21:22,320 Oh, confound it, for all I know, it was 668 00:21:20,800 --> 00:21:23,840 Higgins who punched me and his ghost had 669 00:21:22,320 --> 00:21:26,520 the heart attack. 670 00:21:23,840 --> 00:21:26,520 >> Come on, Watson. 671 00:21:39,200 --> 00:21:42,760 >> Only you might have the common decency 672 00:21:40,680 --> 00:21:43,480 to tell me what we're breaking into. 673 00:21:42,760 --> 00:21:46,520 >> Whisper. 674 00:21:43,480 --> 00:21:46,520 >> BUT I AM WHISPERING. 675 00:21:48,760 --> 00:21:52,320 LOOK HERE, WE BROKE INTO THE REAR OF THE 676 00:21:50,000 --> 00:21:55,720 MUSEUM because if so, Holmes, really, I 677 00:21:52,320 --> 00:21:55,720 don't know what's going to happen to us. 678 00:21:55,910 --> 00:21:57,930 >> [music] 679 00:21:58,760 --> 00:22:01,920 >> Here, hold this. 680 00:21:59,400 --> 00:22:01,920 >> Huh? Oh. 681 00:22:04,425 --> 00:22:06,445 >> [music] 682 00:22:07,240 --> 00:22:10,200 >> Holmes, this is sheer vandalism. 683 00:22:09,120 --> 00:22:13,280 >> Yes, well, then there must be a bit of 684 00:22:10,200 --> 00:22:13,280 the vandal in us all. 685 00:22:15,320 --> 00:22:17,880 >> Holmes, what are you doing? This is 686 00:22:16,440 --> 00:22:19,120 wanton destruction. I've never seen 687 00:22:17,880 --> 00:22:20,720 anything like this in my life. I forbid 688 00:22:19,120 --> 00:22:22,600 you to. I didn't know this side of your 689 00:22:20,720 --> 00:22:26,360 character, HOLMES. I'M SHOCKED. 690 00:22:22,600 --> 00:22:28,200 >> AH, JUST AS I thought. Look, Watson. 691 00:22:26,360 --> 00:22:30,200 >> Good heavens, it's Mona Lisa's Madonna. 692 00:22:28,200 --> 00:22:31,640 >> Yes, it's ingenious, isn't it? And yet, 693 00:22:30,200 --> 00:22:33,240 what could be simpler than to attach it 694 00:22:31,640 --> 00:22:34,160 to the back of an old and rather plain 695 00:22:33,240 --> 00:22:35,600 thing? 696 00:22:34,160 --> 00:22:37,280 >> How on earth did you ever think of that? 697 00:22:35,600 --> 00:22:40,440 >> Well, I just asked myself where I would 698 00:22:37,280 --> 00:22:40,440 hide the stolen canvas. 699 00:22:43,000 --> 00:22:44,840 >> Holmes, have you gone mad? 700 00:22:44,000 --> 00:22:45,960 >> No, no, no, no, no, no. We're just to 701 00:22:44,840 --> 00:22:48,960 await events. I don't think we should 702 00:22:45,960 --> 00:22:48,960 have to wait very long. 703 00:22:51,360 --> 00:22:55,480 >> Holmes. 704 00:22:52,440 --> 00:22:56,720 >> Dr. Watson. What's the meaning of this? 705 00:22:55,480 --> 00:22:58,760 >> What's my belief you were an amateur, 706 00:22:56,720 --> 00:23:00,760 Mr. Bentham, in his capacity as curator 707 00:22:58,760 --> 00:23:02,880 of the Pembroke Museum. Allow me to 708 00:23:00,760 --> 00:23:04,200 present him to you now as the picture 709 00:23:02,880 --> 00:23:06,240 thief. [music] 710 00:23:04,200 --> 00:23:07,760 Charmed, Dr. Watson. 711 00:23:06,240 --> 00:23:10,800 Oh, delighted. I 712 00:23:07,760 --> 00:23:10,800 What is this? 713 00:23:10,840 --> 00:23:14,200 So, you discovered my little hiding 714 00:23:12,600 --> 00:23:16,680 place, Mr. Holmes. 715 00:23:14,200 --> 00:23:19,160 I'm curious. How did you know it was I 716 00:23:16,680 --> 00:23:21,240 and not the late lamented Higgins? 717 00:23:19,160 --> 00:23:22,920 Yes, I believe Dr. Watson saw him from 718 00:23:21,240 --> 00:23:25,760 the first. 719 00:23:22,920 --> 00:23:26,880 If Higgins died a little after 8:00, 720 00:23:25,760 --> 00:23:29,240 it must have been someone else who 721 00:23:26,880 --> 00:23:32,320 struck him a little after 9:00. But, it 722 00:23:29,240 --> 00:23:34,560 was Higgins who punched me home. Don't 723 00:23:32,320 --> 00:23:36,800 know, Watson. It was a limp, a wide 724 00:23:34,560 --> 00:23:38,800 floppy hat, and an exceedingly long 725 00:23:36,800 --> 00:23:41,560 overcoat that punched you. [music] Seen 726 00:23:38,800 --> 00:23:43,640 in a dimly lit street, a psychological 727 00:23:41,560 --> 00:23:45,120 misidentification, as the good inspector 728 00:23:43,640 --> 00:23:46,840 would call it. 729 00:23:45,120 --> 00:23:49,080 The night watchman was also a victim of 730 00:23:46,840 --> 00:23:51,200 the same illusion. 731 00:23:49,080 --> 00:23:52,680 And what about the landlady? 732 00:23:51,200 --> 00:23:54,480 How much did you have to pay her to set 733 00:23:52,680 --> 00:23:55,600 back the time of death by an hour, Mr. 734 00:23:54,480 --> 00:23:56,720 Bentham? 735 00:23:55,600 --> 00:23:58,800 Oh, 736 00:23:56,720 --> 00:24:01,040 not much, Mr. Holmes. 737 00:23:58,800 --> 00:24:03,120 How did you know it was me? 738 00:24:01,040 --> 00:24:05,280 Dr. Watson and the night watchman both 739 00:24:03,120 --> 00:24:07,440 identified the 9:00 Higgins visually at 740 00:24:05,280 --> 00:24:09,400 a distance. Only you pretended to have 741 00:24:07,440 --> 00:24:11,520 spoken to him. This meant that either 742 00:24:09,400 --> 00:24:13,600 you were lying or Dr. Watson was punched 743 00:24:11,520 --> 00:24:16,560 in the eye by a ghost. 744 00:24:13,600 --> 00:24:18,760 I believe the simple explanation. 745 00:24:16,560 --> 00:24:20,720 You almost make me feel transparent, Mr. 746 00:24:18,760 --> 00:24:23,800 Holmes. To anyone who viewed the facts 747 00:24:20,720 --> 00:24:26,600 objectively, [music] you were. 748 00:24:23,800 --> 00:24:29,400 It's a pity that one crime has to lead 749 00:24:26,600 --> 00:24:29,400 to another. 750 00:24:31,360 --> 00:24:35,880 Yes, and I think it's a great pity, 751 00:24:33,440 --> 00:24:37,041 Holmes, that you broke that vase. 752 00:24:35,880 --> 00:24:37,080 Oh, yes, yes, 753 00:24:37,041 --> 00:24:39,880 >> [music] 754 00:24:37,080 --> 00:24:42,480 >> but it's only an imitation. 755 00:24:39,880 --> 00:24:43,920 Nonsense. You can't tell me that that 756 00:24:42,480 --> 00:24:46,120 sort of work, like this, is an 757 00:24:43,920 --> 00:24:48,520 imitation. Perhaps the piece is 758 00:24:46,120 --> 00:24:48,520 convincing. 759 00:24:50,280 --> 00:24:54,600 Well done, Watson. Well done. 760 00:24:53,520 --> 00:24:56,120 You know, Holmes, you didn't have to 761 00:24:54,600 --> 00:24:57,560 invite him here to catch us. You put us 762 00:24:56,120 --> 00:24:59,080 in a an awkward position. 763 00:24:57,560 --> 00:25:00,880 >> Oh, my dear fellow, I have sublime 764 00:24:59,080 --> 00:25:02,160 confidence in your ability to extricate 765 00:25:00,880 --> 00:25:04,360 us from any predicament which my 766 00:25:02,160 --> 00:25:06,160 rashness may place us. Might I suggest 767 00:25:04,360 --> 00:25:09,040 that you now fetch the good inspector? 768 00:25:06,160 --> 00:25:09,040 >> Yes, here we are. 769 00:25:10,447 --> 00:25:14,160 >> [music] 770 00:25:11,720 --> 00:25:14,160 >> Excuse me. 771 00:25:15,680 --> 00:25:20,080 >> I say, Holmes, 772 00:25:17,800 --> 00:25:22,480 Bentham punched me in the eye. 773 00:25:20,080 --> 00:25:23,960 Who was it tweaked my nose? 774 00:25:22,480 --> 00:25:25,520 >> Well, my dear old chap, it was 775 00:25:23,960 --> 00:25:27,960 absolutely imperative that I make 776 00:25:25,520 --> 00:25:31,720 certain that the limp, the hat, and the 777 00:25:27,960 --> 00:25:31,720 coat were really capable of fooling you. 778 00:25:32,040 --> 00:25:35,440 >> You? 779 00:25:33,240 --> 00:25:40,400 >> Yes, I regret to say I not only tweaked 780 00:25:35,440 --> 00:25:42,040 your nose, but I also pulled your leg. 781 00:25:40,400 --> 00:25:44,240 >> Oh. 782 00:25:42,040 --> 00:25:44,240 What? 783 00:25:45,162 --> 00:25:47,182 >> [music] 784 00:25:56,952 --> 00:25:58,972 [music] 785 00:26:02,847 --> 00:26:04,867 [music] 786 00:26:08,742 --> 00:26:10,763 [music] 787 00:26:15,293 --> 00:26:17,313 [music] 788 00:26:19,878 --> 00:26:21,898 [music] 789 00:26:28,393 --> 00:26:30,413 [music] 790 00:26:35,598 --> 00:26:37,618 [music] 791 00:26:42,803 --> 00:26:44,823 [music] 792 00:26:48,698 --> 00:26:50,718 [music]